Sparse and lovely avant-garde jazz improvisations on a single guitar,
recorded in 1980. I am not enough of a musician to be able to speak to
the choices Bailey makes as he plays, but they certainly work for
me. This is a beautiful album, and it makes me want to explore his music
further. Listen for the alarm that goes off at the end of one of the
tracks.
Heidi J. De Vries
Sparse and lovely avant-garde jazz improvisations on a single guitar,
recorded in 1980. I am not enough of a musician to be able to speak to
the choices Bailey makes as he plays, but they certainly work for
me. This is a beautiful album, and it makes me want to explore his music
further. Listen for the alarm that goes off at the end of one of the
tracks.
