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Heidi J. De Vries

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December 3, 2001
The Maid of Orleans
Rain again Saturday night. I managed to have a gorgeous Indian dinner with Carol and Dan at Sahib and still make it to my play with time to spare. The play was George Bernard Shaw's Saint Joan with Emily Ackerman as Joan of Arc at the Aurora Theatre, three hours of intimate theater goodness. I was sitting right on the stage and didn't want to cross my legs for fear of tripping an actor.

Even today, especially today, Joan of Arc's story is compelling. You know how the story ends, but trying to understand why things happened the way they did brings its own understanding and horror. Nationalism. Martyrdom. Spiritual leadership. The friction between political and religious factions. It all sounds very familiar.

I imagine what Joan must have felt at the end, with her lungs filling with smoke and the fire licking at her feet. I remember the opening scene of Elizabeth when the martyrs are being burned at the stake and are screaming out their prayers to God. Joan was a girl who communicated with God directly. She didn't need the religious institutions of the church or its holy men. Of course the church was terrified of her. "What will the world be like when The Church's accumulated wisdom and knowledge and experience, its councils of learned, venerable pious men, are thrust into the kennel by every ignorant laborer or dairymaid whom the devil can puff up with the monstrous self-conceit of being directly inspired from heaven?"

I feel vaguely guilty bringing up the World Trade Center at this point, mostly because it feels like a pretty unoriginal thing to do these days, but I think of dying in fire and there I am. Just when you think that you're doing all right, that the sense of loss has faded somewhat, the shock of grief and disbelief hits you all over again. Those buildings really aren't there anymore. Jeff Buckley really did drown in that river and will never write another song. Margaret Kilgallen lost the fight to breast cancer and will never create another work of art. Melanie will never be able to hang out with me again. And my relationship with her brother is dead. Beautiful things, beautiful people, ceasing to exist.

My friends are going to Las Vegas to be slightly irresponsible hedonists shortly after the New Year, and I am strongly tempted to join them. However, the artists have just been chosen for the 2002 Whitney Biennial, and Kilgallen is one of them. I think I'll spend my money on a trip to New York instead.

The fire could not consume Joan's heart.

Aurora Theatre Company
International Joan of Arc Society
Margaret Kilgallen



   



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2002

2001


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