Right up front I'll be honest and admit that the title of this week's
column is a total misnomer. I had every intention of seeing
Mommie Dearest this Saturday at
Midnight
Mass, as I could think of no better way to see it for the first
time than in a theater full of drag queens, but the damn thing sold
out way before I even thought about getting my ticket. I settled for
a lazy day of hanging out with friends and then a raging game of
Trivial Pursuit later in the evening.
My week began with a quiet night of Comic-Con recovery and The
Insider. Based on the true story of big tobacco whistle-blower
Jeffrey Wigand and 60 Minutes producer Lowell Bergman, this movie
had me utterly riveted from start to finish. Russell Crowe was fine
as Wigand, but it was Al Pacino as Bergman who really carried the
story. It's hard to remember there was a time in America when suits
against tobacco companies were a new phenomenon. Most fascinating to
me was everything that went into producing Wigand's 60 Minutes
interview, and watching Pacino storyboard his piece filled me with
major professional envy. After I finished the film, still exclaiming
to myself about how good it was, I went to my computer and found the
following headline on Yahoo: "Vatican excommunicates 7 female
'priests'." The thing that pissed me off almost more than the
excommunication itself, men pretending to know the mind of their maker,
were those quotation marks around the word priests. Please, God, may
I see women accepted as your ministers in the Catholic church in my
lifetime.
Tuesday evening
Dandeline
were playing at the Hotel Utah, and Aimee and I got there early so we
could get a beer and some food at the bar. Such decadance on a
weeknight! Dan and Sheila were fabulous, and I always love hearing
them play a full set instead of just the handful they get to play at
Monday Night Hoots.
Minority
Report was playing at the Parkway this week, and my friends
hadn't seen it yet, so off I went for a second viewing.
Unfortunately for the film, I had read the Dick short story in the
weeks since I first saw Spielberg's adaptation. The plot holes were
much harder to ignore this time, and the pat Hollywood ending was
even more hateful. The screenwriters would have done well to stick
much more closely to the short story, which has plenty of twists and
turns without all the excess crap of the film. The only thing I liked
better this time was Colin Farrell's portrayal of Witwer. I went from
finding him utterly repulsive to thinking he was the cutest thing
ever. Go figure. Still loved the eye doctor. And the spiders. And
how it looks like someone took a piece of sandpaper to the color
throughout the film.
Thursday night I was possessed by a strange demon indeed and found
myself watching three straight hours of Revolutionary Girl
Utena. I would not recommend this to anyone except the serious
anime enthusiast, teenage girls looking to graduate from Sailor
Moon, or individuals who get a lot of titillation from shojo
gender inversions.
Lessons of the 60
Minutes Cave-In
Hotel Utah
The Utena Encyclopedia
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