The last time I was looking for work (and in possession of a lot of
free time) I found myself in Cafe du Nord one fine Monday evening. I
got tired of drinking alone at the bar and decided to check out what
was going on in the back room. And so I was introduced to the Monday
Night Hoot. Every Monday Eric Shea asks a group of singer/songwriters
and bands to perform just a couple songs each, and the result is a
wonderful cross-section of highly listenable music, folk and otherwise.
This Monday I went specifically to see Dandeline perform, but I
always enjoy hearing the heartwrenching tunes Shea plays to open the
evening. Molly Tuttle was with him this week, and they did a great
version of Primal Scream's "Higher than the Sun" in honor of du Nord's
(gorgeous) Scottish bartender who is moving to New York. Dandeline
was fabulous too, of course.
My DVD viewing this week consisted of Duel on Ganryu Island, the
third film in the Samurai Trilogy starring Toshiro Mifune, and Julie
Taymor's Titus. Both were very good, but it's Titus I'm
going to talk about. My previous knowledge of the play consisted of
what I'd picked up from the Reduced Shakespeare Company. I knew it
was gory, so I wasn't necessarily looking forward to it. Taymor's
version is bloody, no doubt about it, but not gratuitously so. Death
and dismemberment keep their impact, and one of the most horrifying
images is also the most beautiful. Taymor throws a little bit of every
period imaginable into her costumes and set design, but the amalgam
works well in illustrating the timelessness of evil and revenge.
Anthony Hopkins reminds you just how good he can be as the lead
character, and he is surrounded by the talents of James Frain, Colm
Feore, Jessica Lange, and Alan Cumming. Harry J. Lennix gets special
notice from me for embodying seductive evil in the character of Aaron.
He's going to be in the next two Matrix movies, hooray! The
scene between Aaron and Tamora in the forest just before they start
wreaking their havoc on the Romans had me fanning myself to cool down.
After a night of torrential rain the weather cleared up enough
Saturday morning to allow JD, Karen, and I to hike the San Pablo Ridge
and Wildcat Creek loop in Wildcat Canyon Regional Park. We still got
plenty of wind on the ridge and a smattering of rain down below. The
storm the night before had also turned the trails into sludge, but we
made a game of picking our way across the mud puddles. There's also
nothing like a seven-mile hike to get the endorphins flowing. On the
drive home the Pixies's "Where Is My Mind?" came on the radio, and we
turned it up real loud. I removed some of my muddy clothing before
heading out to brunch at Cafe Fanny with my friend Jila. She's been
living in Alaska and I haven't talked to her in ages. It was beyond
wonderful to have the chance to gab with her for a couple of hours.
I'm glad the Berkeley Art Museum recently extended its hours so I was
able to make it over there to see their Sebastião Salgado exhibit
yet that evening. As I walked into the museum I was instantly drawn
into Sowon Kwon's Matrix project average female (Perfect). She
had taken footage of gymnasts Nadia Comaneci and Nellie Kim and
superimposed lines around their bodies that moved with them as they
sprung and tumbled. Thought-provoking and gorgeous video art. But I
was there to see the Salgado photos. Oh God, but it was crowded in
those galleries. I couldn't deal. I skated the edge of the throng,
glancing at the photographs, smiling slightly when I recognized one
from the Hosfelt show. I think part of my unwillingness to get drawn
into his work this time stemmed from how raw and painful his images can
be. Then I climbed up the ramp to the second gallery and ran smack
into his large-format portraits of migrant and refugee children from
around the world. I didn't even need to read the didactic to start
crying; there was so much written in those children's faces.
On the way to dinner in Oakland I happened to catch Sheila and Dan
playing live on KALX, and in my excitement debated calling into the
station to proclaim my love for Dandeline just to make them laugh. I
restrained myself. Dinner was at Huynh, a recently remodelled
Vietnamese restaurant at the corner of 15th and Franklin. I can
heartily recommend their shrimp rolls and the Bò Xào Lan,
beef with coconut milk, black mushrooms, onion, and clear vermicelli,
topped with mint leaves and peanuts. Their iced coffee with condensed
milk kept me buzzing well into my viewing of Fritz Lang's The Big
Heat at PFA. Glenn Ford plays a tough cop who single-handedly
takes on organized crime in his town, and Gloria Grahame is fabulous as
the bad girl who probably has a heart of gold. The tender emotional
moments were a bit overwrought, but I loved the dialogue when it was
snappy. Lots of great film noir touches as well. I do believe the
Victory hotel in L.A. Confidential might have been a reference
to the Victory auto shop in this one. I can't forget Lee Marvin as a
corrupt political candidate either.
And my take on the Oscars? Yes, of course I watched the entire thing.
Out of the five films nominated for Best Picture, the winner was the
only one I didn't want to win at all. I also feel incredibly cheated
that there were no shots of the screenwriters during their part of the
ceremony. I have been waiting with breathless anticipation these past
couple months, waiting, yearning to be treated to the sight of Dan
Clowes at the Oscars. Cheated, I tell you! Oh, and Owen Wilson? He's
my boyfriend.
Cafe du Nord
Last time I
saw Dandeline...
Titus
Wildcat Canyon
Regional Park
Previous
Salgado
Last time I
was at PFA...
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